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Today’s News - Tuesday, November 12, 2019

●  Waite reports sad news: We've lost Ted Cullinan, 88, "RIBA Gold Medalist, teacher and much-loved architect."

●  Kimmelman explains why he considers Essex Crossing, the new mixed-use mega-project on Manhattan's Lower East Side, to be "the Anti-Hudson Yards": It is the result of "long years of ground-up neighborhood consultation and holistic planning - balancing equity with gentrification," and "points toward a better way."

●  Berg explains how an urban-scale garden show inspired the transformation of "80 gray acres of rail yards and warehouses" in Heilbronn, Germany, into a new park and urban district for 3,500 residents, 1,000 jobs, and more.

●  Hu, on a darker note, parses the prevalence of "hostile architecture" and the increasing "backlash from critics" for being "inhumane and targeting the homeless. As evidenced by the spikes - even the pigeons are not safe."

●  Hill reports that Zumthor's LACMA plan to span Wilshire Boulevard has cleared another hurdle, garnering approval from the Los Angeles Public Works Committee.

●  Giovannini minces no words re: MoMA's expanding for less $$$ than LACMA will pay to shrink, but he has high praise for DS+R's ("perhaps the wittiest, most wry architects") MoMA makeover, "sizing for generosity, dialing up the warmth - making the environment upbeat and buoyant - the architects pushed the Zen button."

●  Steinhauer considers MoMA's expansion and "radical rehang": "Has the 20th century's emblematic museum found a place in the 21st? The renovation does not change the commercial, almost soulless, feeling of the place. But it has given us a much more interesting institution."

●  Betsky bemoans the missed opportunity and "the disappointing results" of the Pulse Memorial & Museum Design Competition, describing the winning design as "a computer-aided version of a Pyrex-style coffee carafe at an urban scale" (ouch!).

●  On a brighter note, the Houston Endowment's new HQ "will become architectural 'jewel' for the city" with "an airy glass building," the winning design by Kevin Daly Architects, Productora, TLS Landscape, and Kirksey Architecture.

●  Rodriguez and Ennead's renovation of Pei's Eskenazi Museum of Art at Indiana University is a "must-see": It's reopening is "the opportunity to see how a 21st-century team aimed to keep, and open up, the spirit of Pei's original intent."

●  Welton cheers P+W's plans for Detroit's Motown Museum that includes preserving Berry Gordy's Hitsville U.S.A. studio, "one of the most popular tourist destinations in the city - and connecting three adjacent buildings that also served as recording studios."

●  Peters also cheers P+W for its design of modular units that would "make homeless shelters a little more livable," offering "more privacy and a space of their own" proposed for L.A.'s A Bridge Home program that is building new emergency housing throughout the city.

●  Kamin considers whether the Home Insurance Building, the "long-gone Chicago high-rise," should "still be called the 'first skyscraper' - skeptics have long contended that it doesn't deserve such adulation" (What might replace it? "Who knows").

●  Block delves into how UK architects' new trade union plans "to challenge industry's 'toxic culture' of long hours and low pay," and represent "their rights, rather than promoting the industry."

●  Hurst reports that Penoyre & Prasad has been "snapped up by Perkins and Will" - P&P's brand name will remain "as long as it makes sense."

●  The 2019 Architect 50 list of the top firms of the year is here: "Lake|Flato Architects claimed the overall top spot - discover how Marmol Radziner, BNIM, and Trahan Architects had their own banner years" + Register for next year's Architect 50.

●  One we couldn't resist: Move over, Kanye: Gibson reports that Pharrell Williams, working with IBI Group and U31, is designing a two-tower residential development in Toronto (it's not his first foray into architecture).

●  ICYMI: ANN feature: Duo Dickinson: The End of Design Movements: We are in the greatest time of change since the Industrial Revolution. When things change, Movements happen. But is the Era of Movements over?


  


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