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Today’s News - Thursday, November 1, 2018

EDITOR'S NOTE: Tomorrow and Monday will be no-newsletter days - we'll be back Tuesday, November 6.
NOTE to our U.S readers: don't forget to turn your clocks/watches back an hour Saturday night (groan).
NOTE: And to all our fellow Americans: please VOTE on Tuesday, November 6!

●  Rosa Sheng urges architects to join the Design Justice movement, and challenges them "to gain a broader understanding of how social justice is linked to our built environment. Do we address social impact only when the client mandates it, or when we have a personal connection at stake?"

●  Mankad & Vázquez take a deep (and fascinating) dive into a theater and a hospital in Houston's 5th Ward that "have become bellwethers for changing a neighborhood without destroying its character - thanks in part to the Fabulous Fifth, a planning effort by the AIA Communities by Design program" that "will show the country what the redevelopment of a black community looks like" without displacing its longtime residents.

●  Tsao & McKown Architects' 46-acre development in China "upends traditional urbanization" with a holistic master plan "with a social backbone" - Sangha is "a 'live-work-learn' community, where man-made structures are human-scaled, sensitive to nature, and nourished by work and culture."

●  A referendum in Mexico puts the kibosh on the $13 billion Foster + Partners/FR-EE-designed Mexico City International Airport, already three years into construction - it "could cost the Mexican government $5 billion" (president-elect "said he hopes to turn it into 'a big sports and ecological center").

●  Plitt reports better news for Foster + Partners: JP Morgan Chase has tapped the firm to design its new HQ at 270 Park Avenue, replacing the 1961 Union Carbide designed by SOM's Bunshaft and de Blois - preservationists did what they could do save it, to no avail, it seems.

●  Eyefuls of the National Veterans Memorial and Museum in Columbus, Ohio, designed by Allied Works, OLIN, and Ralph Appelbaum Associates - it is the "crowning jewel" of the city's decade-long redevelopment project along the Scioto River (it looks amazing).

●  Welton sounds the alarm for a good cause to help restore Saint Germain des Prés, the oldest church in Paris - the French and American foundations vow to save it: "'We're going to keep at it until we fix the damn thing.' Now that's the kind of attitude that every American should be known for in Europe" (great pix - save your own star).

●  Zandberg weighs in on the possibility of Niemeyer's "surreal architecture" of his Tripoli International Fairground becoming a UNESCO World Heritage Site, and delves into his fascinating and "convoluted romance with Israel that ranged from mutual enthusiasm to disappointment and frustration" (hopefully, this won't fall behind a paywall).

●  Elks introduces us to a British artist's efforts to awaken Lebanon's "sleeping beauties - abandoned historic buildings dotted with bullet holes and scarred by war" with free exhibitions and "community events to help stir public interest in their history" (great pix).

●  Aedas's Griffiths explains why his and RSH+P's teams "looked to nature" in designing the immigration checkpoint building on a man-made island along the Hong Kong-Zhuhai-Macau Bridge, "the world's longest sea crossing."

Weekend diversions:

●  Keane parses "Close to the Edge: The Birth of Hip-Hop Architecture" at NYC's Center for Architecture that offers "evidence for the existence and significance of hip-hop architecture, as influenced by the musical genre and cultural movement" (repurposed shipping containers included).

●  Zaha Hadid Architects's exhibition in Mexico City includes "KnitCandela," an "ultra-thin concrete shell that pays homage to Félix Candela" using technology developed at ETH Zurich - and carried to Mexico from Switzerland in a suitcase (fab photos!).

●  Eyefuls of "12 Walls - Architecture and Contemporary Ornament" in Veszprém, Hungary, where "12 designers have coated walls of an aging school to illustrate the significance of architectural ornamentation" (great slide show!).

●  Belogolovsky's "Sergei Tchoban: Drawing Buildings/Building Drawings" in Shanghai "brings together 50 of the architect's large scale urban fantasy drawings, deeply personal contemplations about his favorite cities," along with five realized projects.

Page-turners:

●  Turrentine cheers Speck's "Walkable City Rules: 101 Steps to Making Better Places" that "equips citizens with the tools they need to make their cities healthier - by making them more walkable"; it's "a primer on how to free our cities from the tyranny of the automobile."

●  Pedersen's (great!) Q&A with Lamster re: his new, "thoroughly engaging" biography "Philip Johnson, Architect of the Modern Century: The Man in the Glass House": "I came to both love and hate him at the same time."

●  McDonald cheers architect and planner MacCabe's "The Civic Visions of Frank Gibney": A "revealing" and "copiously illustrated" book about the architect "who left his mark far and wide - now deservedly rescued from relative obscurity."

●  Crosbie hails Harmon's "Native Places: Drawing As a Way to See": "What comes through is great empathy for the human beings who populate the places that he records. As subjects of this architect's drawings and commentary, ordinary objects take on extraordinary presence."

●  An excerpt from Levitt's "Listening to Design: A Guide to the Creative Process": "As you get more and more practiced at identifying the creative impulse, you can learn to trust it, act on it and share it."

●  Budds brings us a book we couldn't resist: "Pet-tecture: Design for Pets" offers some "paw-some structures" for creatures of all sorts (we want the structures - and the creatures - and the book!).

●  ICYMI: ANN feature: Weinstein parses "Frederic Church's Olana on the Hudson: Art, Landscape, Architecture" that "combines resplendent photography with essays reflecting architectural myopia."


  


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Van Allen - City Making From The Outside

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